The Frontliner has everything to record voices and instruments in perfect quality: Positioned even above the already legendary Channel One, the Frontliner combines preamp, de-esser, EQ and compressor, tube saturation, which can be used individually or in combination.
Discrete Tube Preamp:
The Frontliner is a hybrid preamplifier consisting of a discrete semiconductor stage and a tube stage. The hybrid construction of the preamplifier combines the advantages of semiconductors (high dynamics with low distortion, low noise) with the musical qualities of tube sound (pleasant high/overtone spectrum, beautiful three-dimensionality).
- The microphone preamplifier is completely discretely constructed from single transistors. It features 48 V phantom power, polarity inversion, padding and an LF cut filter.
- The line input has a precision balancing stage for connecting additional studio equipment.
- The also discrete and low-noise instrument input is easily accessible on the front panel.
The De-Esser removes annoying S sounds without affecting the natural sound. In contrast to conventional compressor techniques, the S-frequencies are detected and phase-cancelled in a very narrow band, whereby the S-sounds are deleted very unobtrusively.
Compressor / Limiter:
The special feature of the compressor is our Double-VCA-Drive circuitry that achieves outstanding noise and distortion characteristics. By splitting the compressor activity on two VCA’s compression itself has a lesser tendency to side effects like pumping.
The attack and release controls can be automated depending on the signal. The control activity is thus permanently and precisely adjusted to musical requirements. However, it is still possible to manually influence the characteristics of the automatic control, so that the boundaries between purely manual and automated control merge seamlessly.
Equalizer & Tube Saturation:
The EQ section provides two semi-parametric filters for low and mid band as well as an Air-Band filter delivering a silky and smooth top end. The EQ especially optimized to process vocals, acoustic and electronic instruments allowing for both corrective adjustments and sound design.
The large VU meter displays the output level as VU value (energy) and peak value (peak level).
AD Converter Module 1090
The 24 bit converter module provides an SPDIF output which is available as coaxial and optical output.
The internal sampling rate can be set with switches to 44.1, 48, 88.2 and 96 kHz. Other sampling rates (32, 176.4, 192 kHz) can only be set with an external synchronization signal.
All shipments are fully insured.
Bigger shipments requiring pallets or custom made crates ship to US, CA, JP, CN, AU and other outside of EU locations via DHL Air Freight, ETA is normally approx. 7-14 working days from pickup day zero.
Big shipments inside EU ship via different freight companies, recently mostly via ACE Logistics. Freight forwarders can use different courier companies for deliveries to final destinations.
Palletising and crating time can vary depending on the size of the shipment and packaging queue. We pack all our shipments with great care.
You are most welcome to pick your order up yourself from our Retrosonic Pro Audio showroom, studio and warehouse in Tallinn, Estonia.
We ship worldwide – contact us for a personal shipping quote or any other questions.
VAT (Value Added Tax) can be deducted if you have a company with a valid EU VAT number or if you're based outside of the EU. Non-EU buyers pay all and any import tax and duty as regulated by their local customs.