format_quote The 543 Mono Compressor delivers the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The 543 features a fully controllable compressor-limiter with feed-forward / feedback modes, Peak / RMS detection and a built in side chain high pass filter. With an unrivaled heritage and a tremendous feature set, the 543 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over.
Built around Mr. Rupert Neve’s custom transformer designs, each 543 module encompasses individually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward / Feed-back selection and Peak/RMS detection modes. With the compressor inactive, the 543 may be used as a transformer-coupled, high-performance line amplifier, and two 543 may be linked for stereo operation as well. The chassis is built to standard 500 series specifications, with power and I/O provided by the rack.
format_quote US parcels are shipped fully insured with DHLExpress and they usually arrive within 2-3 working days from pickup day zero.
EU parcels arrive within 4-6 working days and are shipped with DPD or ACE Logistics.
You are also most welcome to pick up your order from Retrosonic Pro Audio showroom, studio and warehouse in Tallinn, Estonia.
We ship worldwide! Contact us for a personal shipping quote or if you have any questions.
VAT (Value Added Tax) is deducted if you have a company with a valid EU VAT number or if you're based outside of EU. Non-EU buyer pays all and any import duty and tax as regulated by your local customs.
For signals below the “threshold” level that has been set, a compressor provides a linear path allowing signals to be amplified without the gain being adjusted in any way. When signals exceed the “threshold” level, the gain is reduced in a controlled manner that depends on the Ratio that has been set.
GAIN range provided is from -6dB to +20 dB. As already noted, when compression has taken place, it may be necessary to increase the overall gain to restore the apparent program level
When engaged, the 543 uses a combination of peak and RMS (average) detection to determine level. When disengaged, it follows just RMS.
Introduces a HPF at 250Hz to the VCA side chain signal. This allows the compressor to disregard sustained low frequency content.
Range from 1:1 to LIMIT (i.e. 40:1)
Range from -30dBu to +20dBU
Range from 20 mS to 75 mS.
Release / Recovery Time
Range of RELEASE time is 100 mS to 2.5 Seconds.
When the LINK switch is engaged on two 543 modules and settings are approximately the same values, GAIN reduction on both channels will be the same to preserve stereo balance and position. This will work properly in link buss enabled 500 series racks, or by hardwiring two 543 modules link busses together in non-compatible racks.
When the LINK switch is engaged on two connected 543 modules, the signal passing through the first module may be used to control the amplitude of a second module. For example, the level of music through channel A can be controlled by speech on channel B, i.e. reducing the music level to make a “speech-over” announcement.
Two Peak LED METERS are provided that show OUTPUT LEVEL and GAIN REDUCTION.
Output level meter covers the range from -10 to +22 dBu and above which is regarded as overload.
REDUCTION is calibrated in dB covering the range +1 to 22 dBu, reading from right to left,
Retrosonic Pro Audio focuses on selling high end pro audio equipment – from the best of vintage gear to the
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